"Communities, Disaster & Change" is a traveling exhibition coordinated by the Valdez Museum and Historical Archive, in Valdez, Alaska. It provides a twist on the fiftieth anniversary of the Good Friday Earthquake commemoration through its connection with other communities and other disasters. The exhibit will travel around the state as well as to Oregon, and Hawaii. The full travel schedule and complete online gallery of the exhibit can be seen here.

This blog serves as a place to host a global conversation about the indomitable nature of the human spirit and communities' reactions to change, how they survive disaster and how they rebuild for the future. We hope this can be a tool for people like you, all across the world, to reach out and share your stories on survival and the will to carry on.

If you have seen the exhibit whether online or in person we want to know your reaction to the work of these twenty-eight Alaskan artists. Please join us in an ongoing conversation, and chime in with your thoughts, views and your personal stories of your community, disaster, and change.

27 February 2015

Village of Bardeku



I believe art can heal in powerful ways when used affectively.

However, how important is art when a society’s basic needs have not been met. By basic we mean eating and drinking clean water every day. While researching this morning I came across an interactive slide show about the village of Bardeku, in northeast Liberia, on the National Public Radio website. Effectively, it explains how the Ebola outbreak in Bardeku may have been eradicated, but the community is traumatized. Some families have been left with one, or no parent at all, to care for children survivors. Farms have been neglected. There are many hungry children without parents. Even single parents struggle to feed their own children. Some members of the community intially shunned the survivors out of fear of contracting Ebola.

How did the outbreak spread so fast? The people of Bardeku are Muslim. It is important to carry out rituals such as washing the deceased before carrying the body to a burial. Many people gathered to bathe the first Ebola victim. All the bathers contracted the virus. Over one hundred and fifty people died in Bardeku from contracting Ebola.

In the writing this blog I hope to encourage readers to inform themselves of the devastation that still exists from the Ebola outbreak in west Africa. As a country we were fortunate enough to avoid that fate. How important is art therapy to a village such as Bardeku? Not very important. After basic needs have been met it could be. 
Above hyperlink for NPR "Life After Death: NPR"
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